20th challenge 2011

I’m on this (as TFP), also.

20ths of 2011

by The 20th

20ths of 2011 cover art
  • Digital Album

    Immediate download of 14-track album in your choice of high-quality MP3, FLAC, or just about any other format you could possibly desire.

    Free Download



These tracks don’t share a sound or style or theme, but they all came into existence in a similar way. Each track was completely written and recorded on the 20th day of some month in 2011, as part of the 20th project.

This compilation contains contributions from Mystified (USA), The Knits (Australia), +ko+ko+ (Portugal), Andy McClelland (Canada), RainBoat (Australia), The Desks (Australia), Bray’s Warehouse (Australia), 44Hertz (Australia), Telafonica (Australia), Merankorii (Portugal), The Friday Project (USA), WRC (USA), kokori (Portugal) and Cup and Bow (Australia).

For more information on the 20th project, please visitcabinetpin.com/20th/


released 14 January 2012

Cabinetpin.com 20th Challenge best of 2012

How’d I forgot this?

20ths of 2012

by The 20th

20ths of 2012 cover art
  • Digital Album

    Immediate download of 12-track album in your choice of high-quality MP3, FLAC, or just about any other format you could possibly desire.

    Free Download



Each month, on the 20th of the month, a bunch of people from all kinds of places start making songs. And then they finish them, that same day! Why would they do that? It doesn’t matter! The songs are great! Very often!This is generally what happens with “the 20th project”. You record a song on the 20th of the month and send it in. The songs get brought together and sent back off to the people who created them, and everyone connects via song, hearing what everyone else came up with.Here’s a selection of such tracks from 2012. We hope you enjoy them.

This compilation contains contributions from Ridge Crowthorne (Australia), The Heavy Metal Experience Incident (Australia), Andy McClelland (Canada), Mystified (USA), kokori (Portugal), The Friday Project (USA), Soul Epidemic (Australia), Haru (Australia), +ko+ko+ (Portugal), Merankorii (Portugal), Vlayman (USA) and The Desks (Australia).

For more information on the 20th project, please visitcabinetpin.com/20th/

You can contribute some month if you like.


released 13 February 2013
Cover art by Beth Taylor

Vlayman: “Faerie Tails”

 for the cabinetpin.com 3-20-13 challengeFaerie Tails (3-20-13 challenge)

c. ’13 Vlayman Produx

Little Miss Muffet kept boys around
Fed ‘em all sweet curds and whey
Little Miss Muffet kept ‘em around
Loved having her tuffet in play
Crazy Miss Muffet was a bit strange
She creamed and she screamed for spiders
Yeah, Crazy Miss Muffet spent all her days
Frightening all those along side her.

Chicken Little sat in the middle
Thought he’s happy with what he’s got
Chicken Little, sittin’ in the middle
Didn’t realize he was in the the middle of the pot.
Crazy chicken, didn’t mind pickin’
Pickin’ out them what he thought he loves
Yeah, Crazy chicken, gonna be a finger lickin’
Mess for them what he thinks love him.

Little Bo Peep played with her sheep
All them guys thought they knew her so well
Little Bo Peep played with her sheep
Brought ‘em all with ‘er into her private hell,
Crazy Bo peep wagged her sweet tail
They flocked all about her in the fallin’ rain
Crazy Bo peep, took ‘em home without fail
They’ll never do that again

Four and twenty Black birds were up to no good
Always tryna get into strange pie
Four and twenty Black birds never did like they should
And no one was ever surprised
And Little Jack Horner wanked in the corner
And rubbed at the mess with his thumb
Yeah, Crazy Jack Horner, a solo performer
Couldn’t stop squeezin his plumbs.

Drums: nettage
Bass: Alvarez-1176-dbx160XT
Vox: MD421n-VC1Q
Gtrs: Tele-M8-MXL9000-ISA1

Anatomy of a Band Break-Up

The following is a copy of relevant posts from a thread at lostoverture.com; others’ posts are in quotes, names are changed, etc.  That said, larf and learn!

So EX-Drummer sends a email talking about our band disfunction, mentioning how they jammed with his neighbor Saturday when I was unavailable and suggesting the guy might wanna join us.

My response, just scented:
And you are right, I am impatient. Frankly, we have not been getting together as much as before, and we have accomplished less as a trio, much less as TFP.

The last two sessions with EX-Bassist I felt like we were just starting over in that we hada re-learn
everything because of the delay between, and everyone’s failure to learn the songs. For me, I just need the that the chords are correct, and we hit the changes. I don’t obsess over particular bass lines or leads or beats – the same song can be reggae or metal as far as I’m concerned. Well, not *metal*. ;-D But you have to pardon my amusement when I’m told, “It goes *this* way”, and my frustration when we keep repeating something to get it *that* way.

Whatever we started out to be, other than the abortion that was OLDguitarist, we have long been a writing and recording project, whether from structured songs or improv. And I’ve actually invested a chunk of change to maximize that, as well as a lot of time and effort learning the recording/mixing process, and even learning to play bass.

I’m not sure what we are now.
Are we working toward gigs, or a album, or just jamming?
I’m not sure of the point of beating rehearsals into the ground …

As well, please keep in mind that a 2 hour practice is 4 hours to me, when packing and
traveling are factored in.

I haven’t met NEWguitarist, of course, but it might be a good thing to get him involved. I feel a bit stymied lately in that I feel like I’m excercising instead of playing music. The repetition bores me, and I can’t cut loose when I have to keep cueing and directing, and that in the face of some of the push back … a fourth person might make it easier and hopefully fill out the sound, tighten us up, etc. We both get along with Other GuitaristSr, but he would not, I think, tolerate EX-Bassist well, and anyway is not too reliable.

You said, “However, I think we need to slightly tweak our composition process, especially if we want to keep playing with EX_Bassist.” For me, again, there’s been no “composition process” – we’re stuck on the same songs that are already written and arranged months ago, last session even simplifying them.

I would probably be happier only jamming, improv’ing, rather than perfecting song performances just for ourselves. Especially if I can record the jams!

But I’ve never been anything but honest with you, and I intend to keep that approach. Frankly, I’ve not made up my mind if I do want to “keep playing with EX_Bassist.” He’s certainly damn good in his funk playing and, if he’s interested, I’m sure he could play anything. But I’m not sure he actually likes what we’ve been playing. And I get the impression he doesn’t like me, which is fine, but doesn’t make me wanna try to be inna band with the guy, especially when I feel like he’s gonna explode and quit any minute, anyway.

And I realize that’s awkward, the guy having just moved near you, etc. But telling you straight, I’m willing to give it a bit more time but I’m not necessarily optimistic. It may be that you two guys are better off forming a band with XXX or someone else; if so, I’d be willing to try just playing guitar for ya’s, if it gets things moving.

That absolutely doesn’t mean I wanna quit jamming with *you*, either, as the TFP we’ve been, if it comes to that. I love your drumming! And you and I get along well. And I have no intention of abandoning my music; I’m just not sure the three of us are destined to make it, or me to lead us in doing so.

Or if you wanna just end it now, it’s been a good and successful run, no hard feelings, let me know and I just gotta come and pick up my shite.
I kinda feel like there’s a bit of a power struggle goin’ on, in that this bassist – who I am admittedly now resenting – is effectively controlling our time together. And therefore my music.

In my experience, most drummers have they own space, altho’ whether I can find a drummer as good and as cool as EX-Drummer is questionable …
Re the jam thing, yep, that’s what we have mutually suggested, EX-Drummer and I. Thing is, they also have this idear of getting a set together, for unknown reasons. And the problem with that is, as I bitch above, they seem to only learn and practice when we are together, what means we spend 2-3 hours working on 5 songs, with no time left to jam. EX-Bassist is a bit of a perfectionist, EX-Drummer is pretty easy-going, and I’m loose azza stool what ain’t give you piles (hard for you to imagine, eh? ) Far as I’m concerned, we could do the whole time together as improv, as long as I can record.

By “space” I meant the same as you. In my experience, most drummers that are in their 40′s and older have houses they bought or rent with the idear of being able to play.
“If they are ‘getting a set’ together, perhaps they’ve got a gig lined up.

I’d go for that – imagine exposing your original material to an audience that isn’t just the five of us on this site! Sell some CDs, why dontcha? (Sorry, I’ve got the Supremes playing in the background!)”

You misunderstood.

They jammed once with the neighbor – they wanna getta set together with me.

For unknowed reasons.

Hmm. I think they’d have mentioned a gig for us.

And what I mean by “why?” is, we are like we’re preppin’ for gigs, without none.

I believe we are in agreement we are not interested in Tuesday-night opening slot-type stuff, but thinking more of a one-of’s or house parties; none have been mentioned.

It feels like a football team practicing with no games scheduled.
“Ever notice the guy who suggests gigs, is the one with the least gear to pack? Like the harmonica player?”

Yep, I’m the former, and I fear the other two are exhibiting a touch of the latter.

I mean, the ideal resolution here, for me, would be to just have fun jams that we record, and then I pastiche into songs. Somehow, EX-Bassist apparently anyway, has decided that approach (thet EX-Drummer and I have taken for some 3+ years now) is fine to demo the songs, but then we should, for some reason, learn them. It’s unclear if we are learning them to re-record, or to perform; those guys have never addressed the issue. I went along assuming that it was to re-record, but started bridling at the time it’s taking to get down the material.

I mean, I have no problem admitting I’m not Brahms, or Brian Wilson – this is relatively simple stuff and even written to those guy’s strengths. But they are not accomplishing their own goal of actually learning the songs, and thus, :he says so egotistically:, wasting my time.
“Because they’re preventing you indulge your main strength – which is spontaneous creativity?
I’m sure there were times when Brahms and B Wilson would’ve appreciated a spot of spontaneity.”

No, because I get bored playing the same thing over and over, right inna row, with false starts and stupid mistakes.
Nope, ain’t heard from Ex-Drummer, what means he’s prob’ly considering his response, what is like the gurrl ya ask to marry who says, “I’ll think about it.”

I feel bad for him. I tried to warn him when the bassist, who at that point had jammed with us twice, said he was looking at houses nearby. I’m sure Ex-Drummer feels some obligation there, or at least awkward about it.
Then he’s got me, a certifiable DOOSH who, nonetheless, has been his musical partner for nearly 4 years.
And I’m sure he’s got his issues with me – he’s just such a nice guy that we’ve not once in that time hadda argument …
Aiight, I don’t wanna quote EX-Drummer, so I paraphrased (in quotes). Here’s my reply:
Pardon the length, but for clarity, I wanna address each point you make.

*** Yes? ;-D

“no sense getting together”
*** That’s fine, altho’ please see below.

” you are coming from a different place, different approach, want something a bit more substantial”
*** I’m puzzled why you are saying this. I’m coming from the same place as always, and you and
I have always created our music the same way. As far as me wanting “something a bit more
substantial out of this”, I beg to differ. I was in agreement with you that we should find more
muso’s, expand our boundaries, jam some, record some new songs and have fun doing so. I just
don’t think EX-Bassist is the right guy. I didn’t want to change anything, and to the extent anything
did change, that was based on EX-Bassist.
“priorities, it’s partly my fault”
*** Yep! ;-D And mine.
But seriously, I felt like what we were doing was fine before, and I had hoped that adding EX-Bassist
would improve what we were doing. It didn’t. It felt like we were working to become a performance
unit. While a party or a one-of might be fun, I don’t wanna do the bar-band grind again; it’s a
hobby, and it’s meant to be fun. And it wasn’t. And like you, I have kids and a job, also,
and music is absolutely third for me after them.
” keep the TFP online for what it really is — a home based recording project make demos.
send you a track or so every week or so “
*** Of course I’m interested! And if you are only able to or comfortable with sending me Zoom
tracks, I’ll take ‘em gladly! Ideally, tho’, I wanna come, set up to record, and improv as we
always did, and take those improv’s and make songs – what you call “demo’s” (I think of ‘em as
children ;-D ) as we did before. We got our best results recording while playing together, and our
best sounds doing it with the microphones, sometimes even with other players. ;-D
That is fun! But if that doesn’t work for you for whatever reason, that’s aiight, also.
“minimize the conflict and not waste your travel time”
***There was never any previous “conflict” between you and I that I recall; certainly we’ve been together
long enuff to say we get along pretty well. I don’t think and hope you don’t think that there’s really a conflict
now, either, just a difference of opinion as to direction, relative to EX-Bassist, along with some miscommunication.
And I never considered my time driving “wasted”, until recently when I left your place the last couple times
feeling so frustrated. I only mentioned travel at all, BTW, to make the point that our recent playing was so
relatively unproductive, and not fun. As in, “I drove two hours for this?”
” not sure how TFP could be anything else”
*** And I didn’t know we were trying to make it anything different! Again, I just thought we were trying to
open it up a bit, and make it better, mebbe even more fun. Seriously, I think TFP as it has been is damn good,
and the fact that players the caliber of WRC and Grankie and Other Guitarists and EX-Bassist wanna collab proves that.
FWIW, I constantly get questions as to why we don’t promote, why we don’t sell stuff, why not press CD’s, set up
a real web-site, why we don’t enter contests or play gigs or make videos, etc. I just wanna make better music,
that’s what it’s about for me. And as good as you and I have been together and sometimes with others, that was
not happening with EX-Bassist.
“as for your stuff”
*** I’m not trying to pick up my toys and go home, you understand. I was trying to make clear that what we have
been doing has not been working, and I think what you were proposing was not gonna work. I just don’t think EX-Bassist
is the right guy for us (as TFP). And so if my decision not to work with EX-Bassist didn’t work for you and you wanted to end
TFP, I meant that I’ll bow out, get out of your hair. But if you and I are gonna continue to play together, to record,
mebbe jam with Other Guitarists or whoever, and often enuff, I’ll leave my stuff there. I’ve not been looking for another jam
situation, I’ve even turned down a few, whatever. But as regards what we were doing B.E. (before EX-Bassist), I was lovin’ it,
would love to continue doing it. But if that’s not gonna happen on, say, a monthly basis or so like before, I’ll pull my shite,
I don’t want you to have to store it at your place. It’s just, as you know, a PITA to carry it back and forth if we are gonna use it …

And to be clear, I’m not blaming EX-Bassist other than to say that we all failed to communicate re expectations, approaches,
preferences, interest, etc. But I hope I don’t sound like a prima donna when I say I do prefer not to play with people
who make me tense, and EX-Bassist makes me tense. FWIW, my friend YYYY and your lawyer friend make me tense, also – playing
with them occasionally is fine but … On the other hand, I liked OLDguitarist  fine (until he hated me ;-D ), and I like
Other Guitarists, too. In retrospect, if we had just jammed with EX-Bassist occasionally, that woulda been better, IMO, but bringing him in so
fast and full time just didn’t/doesn’t feel good to me.

I just wanna jam, improv and improve, create, record, etc., with cool people that are at our level.
Or not – I think that the two of us as TFP (it is “The FRIDAY Project”, remember!) do just fine.
And I hope you and I can continue to do so.
So his response:

I think at least for a little while I would like to jam with [local] musicians and send you [Zoom H2 Tracks]. I don’t disagree that we can work together, but I don’t think u work very well with others, for whatever reason. Since it’s hard to find others to play with, something has to give. I do not have confidence that the next Guy will work either. And for the songs, I think most demonstrate your great recording skills, but they are not finished products. I have always wanted to repeat and perfect, not expand the songlist. Your tendencies I think are different. So for now let’s do as I propose, if you are still willing, at least for now.
My Reply:

You’re pissed, eh?
I don’t want to burn bridges, but in light of your attitude I do want to pick up my equipment, ASAP.
His response:

I’m really am not mad. No hurry with your stuff
My daughter says, “You guys sound like girls.”

My take is, besides being burned out with me (note the little digs), Ex-Drummer really wants to do a band as opposed to a recording project, and he probably feels some pressure (as well as desire) to keep working with EX-Bassist, who just moved in a cuppla blocks from him to, at least in part, join TFP. Not my problem, and to the extent that’s stalkerish and weird, I suspect it may become Ex-Drummer’s.

And there is some irony, of course, in that I brought some 6 or 7 muso’s around, he brought 1 for a cuppla jams, but he concludes I can’t get along with people. And I note that 3 of ‘em I brought around stayed, Paul for over a year, Other GuitaristSr now for about 6 months, and EX-Bassist …

Obviously, I’m picky about who I want to get along with. In believe that just because it’s “it’s hard to find others to play with”, does not mean you should accept people you don’t like, when this is meant to be fun.

So anywhat, thanx for listening!

Now, I’m tryna figure out how I want to present alla this in my blog, as I think it’s possibly instructive, certainly amusing ..
“I think most demonstrate your great recording skills, but they are not finished products. I have always wanted to repeat and perfect” and that is where I am 100% with Ex-Drummer.

You love to jam and you are an inspired on-the-fly composer, but you seem almost indecently rushed to move to the next thing. A lot of your work could be really brilliant with some critiquing and reflection and editing and (dare I say it?) re-recording, but if that’s not where you’re at, then don’t go there. Ex-Drummer’s in a different place; part as friends.”


Part of the thing is, see, when it was just the two of us, we’d just jam, and then I’d loop and create songs from the jams. Whenever we tried to re-do those, Ex-Drummer hadda hard time (not least of which was he’ wouldn’t practice w/out me) recreating the songs as composed, the parts, the feel, the changes. In order to keep him interested, then, when it was just the two of us, I did it thru editing. And guess what? It became my preferred approach. The re-recording thing with him was never successful, then, and I see/saw no reason to polish any further than I did, especially when we were contemplating adding another musician – I had a lot of work in songs when Paul joined and then we re-recorded to add his parts, and then I hadda re-do ‘em again when he left.

I think that’s made obvious on the songs where Granks is involved, which are more complete.
“If I were you, I’d keep an eye on Craigslist and eBay.”

I’m picking up my stuff tomorrow:

8 mic stands
8 20-30′ cords
powered mixer
wedge monitor
Peavey Transtube 15 w. S/S amp
Musicman HD130 blonde head
1×12″ bottom

It will be interesting to see if Ex-Drummer offers the return of the Senn cans and extension cord he never paid for …

“”Don’t forget the drugs.””

Got it all back, including the cans and cord.

He wanted to talk, I didn’t, just grabbed my shite and goned.

He wanted to talk, I didn’t ….
“That’s for the best … could have led to make/break-up sex and guilt …”
I’m happy and grateful you’re willing to share yer personal experiences, there, friend.


It is a relationship break-up, so the parallels exist, of course.

So now, mebbe I should start sleeping/auditioning around …


The Friday Project: “Laundry”

c. ’12 The Friday Project

Look at all the dirt, look at all the stains
I know lookin’ at alla that causes you pain
It’s gotta be clean, no inbetween
It’s gotta smell like summer rain

Look at all the creases, look at the bad folds
I know lookin’ at all that gets real old
It’s gotta be neat or its incomplete
It’s gotta be smooth, so we been told

Ch: Don’t take it away, don’t take it from me
Baby, please don’t cut my laundry

It’s important to you, so it’s important to me
It’s like a clean-skinned face, what you wanna see
It’s gotta be right, or we’ll have a fight
It’s gotta be just how ya want it to be
Ch: 2x
If there’s any holes, you can’t invisbly mend
Than it’s to the rag-bag that you will send it
It’s gotta look new, it’s gotta look good
It’s gotta look, like you say it should
Look at all the dirt, look at all the stains
I know lookin’ at alla that causes you pain 2x
Ch: 2x

Drums: Krister-Yama’s-Zoom H2
Bass: HohnerHdls-Brick-160XT
LdVoc: GAP D1-Eureka
BV’s: AKG D5-Eureka
M/S RthmGtr: SG-M8E-M179-fig8-Summit
LdGtrL SG-M8E-Shure SM63L-ISA1

Thye Friday Project: “Good Man (He’s a)”

PostPosted: Tue 25.09.12, 6:10 pm    Post subject: Re: The Friday Project (latest) Reply with quote Edit/Delete this post  Report Post

Good Man (He’s a)
c. ’12 The Friday Project

I’m feelin’ kinda stupid, yeah
I’m feelin’ rather dumb,
I know that I ain’t no Cupid, but
I never thought you’d think you hafta run
CH: He’s a good man, he’s a
good man
I don’t understand
Yer reluctance

You and me been like, friends a long time
You and me can talk about anything
You and me don’t ever cross that line
And I thought mebbe you would see
If you feel like it just ain’t right
Well, I’ll tell ya what it’s still early in the
Go back out there after ya fix yer hair
Join us back in the candle light
What am I to do, what am I to do with you?
I got her, too, me and her an d him and you
A double date and I’m payin’ the freight
Shit, I thought you’d like him
I’m feelin’ kinda stupid, yeah
I’m feelin’ rather dumb,
I know that I ain’t no Cupid, but
I never thought you’d think you hafta run
CH: He’s a good man, he’s a
good man
I don’t understand
Yer reluctance

Drums: Krister: Yama’s-R16
Bass: HohnerHdlsJazz-Brick-dbx160XT
LdVoc: KSM27-Eureka-L
RthmGtrs: SG-M8E-AKGd5-ISA1
BV’s: PL5-Eureka
LdGtrs: SG-M8E-SM63L-ISA1

The Friday Project: “Cellphone”

For the cabinetpin.com 9-20-12 challenge.


c. ’12 The Friday Project

150 dollars for a monthly ticket
I think that’s about 40 beers
Every month I buy another damn ticket
Damn near 2,000 dollars a year

CH: What do I get besides the plastic seats,
the shitty heat and bad air?
I get to listen to your cellphone speech and
even tho’ you don’t care, I stare
holes in the back of yer head

I bring my headphones and some punkish
to distract from yer incessant talk
I crank to 10 to and numb my ears
And over that I still hear you

As I board this morning with my nice
I’m so concious of the pistol’s weight
Need I give warning before I shoot your
Or shall I do it from behind, yes

CH: What do I get besides the plastic seats,
the shitty heat and bad air?
I get to listen to your cellphone speech and
even tho’ you don’t care, I stare
holes in the back of yer head

CH: What do I get besides the plastic seats,
the shitty heat and bad air?
I get to listen to your cellphone speech and I
reckon you’ll carere, before I shoot a
hole in the back of yer head

Drums: Krister-Ysamas-R16
Bass: Alvarexz-Brick-dbx160XT
Vox: KSM27-VC1Q
Gtrs: SG-T2-Microcab-Summit

The Friday Project: “Ain’t Anything”

Ain’t Anything
c. ’12 The Friday Project

This is not a song for anyone to dance to
This is not a song for you to try to sing
This ain’t no virtuoso performance, no
This ain’t anything
This is not some hot hit on the radio
This is not all cool and hip and exciting
This ain’t no love song to hear by candle
glow, no
This ain’t anything
This is not a song for the ages
This is not a song for the reckoning
This ain’t no “My Back Pages”, no
This ain’t anything
This was not a song for anyone to dance to
This was not a song for you to try to sing
This ain’t been anything you’ll ever hear
again, no
This ain’t been anything

Drums: krister-yamas-R16
Bass: Alvz-Brick-dbx160XT
RthmGtr: F100-BadRickie-SBmod-ISA1
LdVoc: KSM27-Summit-RNC
BV’s: RE320-Summit-RNC
LdGtr: SG-Trdmrk10-ADK A5.1V-ISA1

The Friday Project Tracks

Pretty much everything listed here can be found at the below links. I mean, you gotta larf, right? Twisted Evil

The Friday Project Tracks

(This Is) Insane
(Unless You Got) Another Dollar
(Unless You Got) Another Dollar
16 Shells
24-7 365-52
4 Onna Floor
4 On the Floor
A Compendium of Needs
A Speech Pathologist’s Wet Dream
Absolute Ride
Absolute Ride
After the Dust
After 3
After Two or Three
After the Dust
Ain’t Enuff
Ain’t No Way
Alien Babies
All About Evie
Almost Always
Always a Smile
And I Don’t Wanna See
Angel Fall
As I See It
Bad Night at the Drive-In
Bad TAttoo
Beat Feet
Bitches Crystal
Black Mamba
Blow Their Heads
Blues for Claire_w_DinoSr
Bones Inna Box
Borracho Perdido
Break or Bite_w_Grankspoine
Brung You
Bubble Bath
Bullet-Bit Bulldog
Candy Pepper
Can’t Say
Car Dealer_w_Grankspoine
CC Spider
Come With Me Pleas
Come a Train
Cream Sherri
Cut Short
Daisies Don’t Talk
Dancing Backwards
Die (I Wanna)
Do Ya Wanna Go Out Drinking
Doctor, Please
Doin’ The Best I Can
Don’t Bother the Dog
Drunk Outside (It’s Getting Pretty)
Electric Chair
End of the Day
Everything Loud_w_DinoSr
Fix It
Flood My Shit
For Beth
For Our Next Trick
For Ian, RIP
For Ian, RIP_w_Grankspoine
Four On The Floor
Free Form
Free Time_w_Grankspoine
From All Over My Sins
Funk Charger
Funky Corona
Garish Girl
Gata Dulce
Get Away, Now
Get It Right (We Can’t)
Ghost Stories
Go Cup
Goin’ In Hot
Groovin’ (Keep On)_w_Grankspoine
Half-Way Lazy_w_EdD
Hard & Sad
Head Cold
Hemlock & Carcinogens
Her Dick (She Misses Him)_w_Grankspoine
Hide (Why You Wanna)
Hit Hard_w_Grankspoine
Hot Box
I Would Bleed
I Am the Shadow, (Sartre, Too)
I Hope Yer Happy
I Saw Santa Flyin’
I Seen
I Got Nasty Habits
I Could Only Guess
I Will Make You Love Me
I Know A Guy
I Wouldn’t Love
I’ll Be Back
If We’re Gonna Be
In Fives
In There
Inevitable (w_JazAddict)
It Doesn’t Add Up
It Ain’t the Thing
Jazzin’ Off
Jes’ A Minute, Baby
Knee Trembler_w_Grankspoine
La Sirena
Lay Down the Law
Lay Here
Less Than Twenty
Let’s Walk Down (to the River)
Like A Rabbit
Like I Do
Like That
Linda or Yoko_New
Losin’ You_w_WRC
Losin’ YouLosin’ You
Lovely (When It Stopped)
Magic Thinking
Marchin’ Orders
Marta’s Pills
Mighta Helped It Along
Money & a Mixed Drink
Mr. Meter_w_Grankspoine
Mushroom Sally
My Piece
My Morning Light
My Synesthesia
My Rules
No Room_w_WRC
No Evidence
Not Sure
Not Like (You Used to Be)
Oh, Mary_w_Grankspoine
On the Level Here
On the Floor
One Stem
One of the Old Boys
One-Armed Driver
Painted on the Walls
Paper Daughter
Perhaps & Perchance
Perhaps & Perchance
Pick Up the Check, Lady
Pictures (Make alotta Money)_w_Dino,Sr.
Pulling For You (w_EmilyV)
Punk Enuff
Pushin’ Fire
Pussy Riot
Reason No. 1
Say Now
Second Line
See Ya
Shake My Hand
Short Stuff
Sink Me
Skin Divin’
Soiled Dove
Some Possibilities
Spinal Crap
Spitting Out Blood
Stay Frosty
Still & All
Stray Cat Blooze
Stupid Inna Suit
That Hangover (was waiting)
The Door Jam
The Screamin’ Meemies
The Teddy-Bear Dance
The B-Part
The Bloody Mist
The Devil Is Afoot
The Green Velvet Wind
The Last Ditch
The Skins
The Spike Hotel
The Zoo
The Bumble
The Curtain
The Ready_w_Grankspoine
The Tune-up
The Way of It
The Third Thing
The Screamin’ Meemies
The Devil Is Afoot
The Dust
The Chicken Wire Failed
The Itchin’ Hour
The Swamp
The Wet Spot
The Good Stuff
The River (Let’s Walk Down)
The Good Stuff
The River_w_DinosSr
The Spike Hotel
The Man Who_w_Grankspoine
The River (Let’s Walk Down)
This Churning March
This One
Tight Pants (Yer Momma’s Got)
Time Doesn’t Pass (We Do)
Too Broke To Bury
Too Thin
Towers Down
Trouser Mouse
Tuff Enuff (You Ain’t)
Turtle Love
We Grieve
When We Started Out
White Lady
Woah, Yeah
Wounding You
Ya Gotta Go Around
You Gotta Know This
You Know It (You Think)
You Had Us Beat_w_DinoSr
You Cut My Heart Out_w_Dino,Sr
Your Head
Yours Is the Stuff
Zero Signature

The Friday Project: “Towers Down”

Towers Down
c. ’12 The Friday Project

When 9-11 came down, do you remember,
just where you were, son?
I was in the courthouse, and I walked to the
bank, and I saw the towers come down

CH: Down, I saw ‘em come down

Some time later, they hit the Pentagon,
though I didn’t see that ’til much later

But I saw the towers come down

What man does to other men, in the name of
God just ain’t holy
What a man does, claiming for his God, all
too often ain’t holy

Drums: krister-yamas-R16
Bass: HohnerHdlsJazz-Brick-dbx160XT
LdGtr: Hamer-ProJr-ShinyboxMod-ISA1
Wshburn RthmGts: Acoustic-ADKa51-V-Summit-RNC
LdVoc: SM7B-VC1Q
BV’s: PL5-VC1Q


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