Last night’s jammage and recording a new writing approach

Last night I recorded my drummer OD’ing on a Granx collab (coming atcha later today, G – it’s great!) and also on a MVx2 choon I originally playt to a loop of him.

That tookt about 2 hours because of lotsa BSin’, etc., and I mebbe had me a cuppla 312’s.

We did the OD’s by me having rendered the reference track to mono, and recording the drums on 6 trax (E602 to kick, SM57 on snare, RE320 on floor toms, Perception kick mic on racks, OH’s was SP C1’s in ORTF about 5′ up and 6′ out on the kick/snare axis).

So I left the drums pluggt in and DI’d the guitarist, Tom’s Les Paul thru a blues-driver into a channel and my headless bass into a channel and we jammed straight thru for 28+ minutes with me laying down a riff, the drums catching and then the guitar, going 3-5 minutes, stopping and then me starting a new one.

It was noteworthy because we had nothing written – I just thought up a bass line, figured the tonic for emphasis, and started playing – including changes that I made very obvious by nodding at the band, and showing my hands to Tom.  I could not do what he did – he follered me with very little hesitation, and even less mistakes, he’s that good.

Mark and I have been locking well for at least a year now – it was damn-near seamless.

So we ended up with 6 tracks of drums, plus a bass and guitar track each, in a half hour of improv.

I told the guys the bass and guitar were irrelevant (if fun), that the key thing was to get the drums inna groove for looping and writing to. That said, some of the playing is worthy just because of the interaction.

Anywhat, if ya get the chance to try doing this, do try doing this.


carpal diem!

THD
vlayman
blog
vlayman.bandcamp.com
thehungrydrunx.bandcamp.com

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