Pro,Jr. “mods”

answering a question at TOMB, I said:

mods I think improved the Pro,Jr. (and I mentioned in the other thread) and how:

a 12AU7 in first position cleaned it up allowing louder volume with minimal breakup until fully Spinal Tap’d

a better speaker, same thing (I use the amp as a pedal platform) – those two changes were pretty significant

mine is a fairly early (early 80’s, tweed) one, but I know I had a mounting screw that was 1/8 to 1/4″ too long and I hadda swap it it out – I think it was pushing on the wiring

I also hadda replace the handle what eventually snapped – there are good leather ones look like the original are avail at like US$10

I also put those rubber non-vibrate rings on the tubes, but notice no difference other than they might help break a fall if ya drop ’em when swapping ’em out

and I know I eventually got annoyed with the tube retainer spring-things, and just removed ’em completely with no issues

I will note that I had some issues, for whatever reason, with tube tines corroding; after using a emery board on ’em over the years the issue seems to be resolved, altho’ I still do that before recording it

it really sounds rhythm-sweet with weaker gain single coils and goldfoils – it’s possible to get some nice chime that way

it sounds way cool with humbuckers into a (or stacked) cranked dirt pedals for lead – sometimes I look over to see if the amp is itself moving

a loud boosting pedal seems to really increase the dynamics (especially with the 12AU7) and total volume level

after alla that, I agree with Nick’s point – other than tube and speaker swaps, I seldom do anything to amps other than clean and repair them – it’s a good idear on combos to tighten the screws once in a while, and remove the spiders and roaches from inside the box (I am not referring to living roaches, mind you 

:twisted:

 )

Almictomx2 : *Faded Black (a 4p)*

https://vlayman.bandcamp.com/album/faded-black-a-3p

geetar inflooences

so a weird thing is listening to some performances, especially live, and recognizing a inflooence, ex post facto, like

I mean I know Otis and Keef and J. and Ornette and Trane and Vernon and Sco and Hillel and Warren and Campbell and even Ash and Neil and Billy and of course Jimmy and Jimi, but listening to a 2013 Chelsea Light Moving bootleg, I realize Thurston, also, even tho’ I seldom alt-tune with the band

A purty good friednite

drum cases

I unnerstand they come in hand, post-gig , for those what need to piss